An easy 30 minute drive from Knowlton Church brought me to my second
destination, St Andrew’s Church, just off the A31 on Marsh Lane in Winterborne
Tomson, Dorset.
This was a church I was very excited about. Although it was built
during the Norman period you will see it is nothing like those in my pervious
posts. It is a sweet, light and
beautiful little church with a chapel’s charm.
I always look for places that are unusual and St Andrew’s definitely fits the bill nicely. It is a Norman church built in the 12th century and has two distinct attributes that make it stand out from the rest. First it has an apse – in this case a semi-circular sanctuary and the other is a wagon ceiling which is the only one in Dorset, they are most common to Devon and Cornwall churches. There is one more surprise which I will leave for you to read about later.
At first when I turned onto the narrow road I thought the
satnav had got it really wrong and had me driving down someone’s driveway. I nearly
turned around when out of the corner of my I spotted the church up ahead. Going a little further there is a small parking area on the left
just as the road ends at a farmyard.
It was love at first sight.
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Simple in design from the graceful curve of the stone walls to the weatherboard bell tower. |

The oak paneled door dotted from top to bottom with iron studs swung open easily revealing a bright and airy interior. Most medieval churches' pews and fixtures are dark and heavy.
My eyes immediately went to the ‘wagon’ ceiling.

Unfortunately, as often happens in ancient buildings, there are places where the damp has seeped through the plaster and other damaged to both the ribs and bosses.


The pews line both sides of a single aisle and with the largest just under the pulpit. This would have been where the most prominent family would sit. At the back, the gallery would have been where anyone who could not rent a pew would have to stand during the service.
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The pews are carved from oak with a lime wash finish. Simple latches hold the doors to each closed. |
Wanting to get a parishioner’s view I sat inside one and
looked around. Very hard, straight backed seats with a cold stone floor.
I was uncomfortable in moments. I couldn’t help thinking how church services
went on for hours back then. Pity the poor parishioner whose seat faced the
rear of the church, or the side, as they would have spent hours twisting round
to see the minister.
At only 40ft long and 15ft across it is a very small church
yet it has many unexpected features. I was surprised to find a gallery located
just above the entrance. I later read
that is actually the original Norman Rood loft.
Just beneath it is the bell rope which runs along a series of pulleys
and disappears through a hole in the ceiling (I was tempted to give it a try,
be decided it was probably not a good idea).
Opposite the door tucked up against the pews, is an old wooden organ
that is the only highly decorated piece in the church.

‘…This church greatly loved by Thomas Hardy, was saved from ruin by the sale of certain of his mss [manuscripts] which paid for the work here 1929-1931…’ How wonderful is that!

The craftsman who designed the screen included an archway so that the pastor wouldn’t knock his head on the beam each time he
entered or exited the pulpit. I thought this rather
ingenious, but wondered if it was done before or after it was
installed.
I could not resist climbing the few narrow treads up into
the pulpit and standing, as countless ministers once did, to a get the view
across the empty pews. In such a small space it would have been impossible
for anyone to escape the preacher’s eyes as he delivered his message.
I wandered back out into the sunlight. Standing in the
doorway I could see in the distance multiple chimney
stacks of a large manor house poking through the tree line. To the left, outside the
brick wall, a ‘chocolate box’ thatched cottage completes the perfect English countryside idyll.


The walls have a lean to them which isn’t evident looking straight on, but when looking down the side, it easy to see.
The south side of the church has a ‘blind’ window which is
Norman and three double windows were added much later.
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Local grey and brown stones add warmth to the exterior |

A weatherboard bell tower adorned with St Andrew’s
crosses (for ventilation) sits neatly top orange roof tiles.
Perfect.
It is the little details that make this church so special;
nothing over the top, just plain and simple.
I was impressed that such care was taken in the restoration.
It is obvious that the interior is a mix
of several styles, yet there is no competition amongst the pieces. Instead they blend together beautifully.
From subsequent reading I discovered that it lay unused from
1896 until 1929 when the Society for the Protection of Ancient Buildings took
charge. As the plaque states, money received from the sale of a collection of Hardy’s manuscripts enabled them to 'rescue it from ruin'. The individuals who undertook this project should be applauded. At
the time they acquired the property, animals from the adjacent farm had been
allowed to roam within the church. I can
only imagine the uphill climb they faced when bringing it back from the brink. If churches could have a rags to riches
story- St Andrew’s would be it.
In the 1970’s the Churches Conservation Trust [CCT], took
over the care of St Andrew. This
is a wonderful organization that oversees many ancient churches, big and
small, saving them for future generations to enjoy. According to their brochure, St Andrew’s is a
consecrated church and there are a few services held here during the year.
Here are some additional photos
My time here was over so I took silent moment to take in the
view one last time and walked back through the gate to my car.
One more church to go.